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As a young girl Karuna lived next to the Brooklyn Museum in New York City. At 7 years old, she saw a woman working in the pottery studio there, and knew she would be an artist. She began as a potter, and her father encouraged her to paint in watercolor as well. The German Abstract Expressionist Emil Nolde, who created miniature watercolors which he called his Unpainted Pictures during the 1940's, was also an early influence. She looked at his work and knew she could push the boundaries of her medium. Her paintings show a Japanese influence too, in their precision and Zen-like quality.
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At this time, she discovered Big Sur (like so many of us) via Nepenthe. Also, she read the Henry Miller (who also came from Brooklyn) work Oranges of Hieronymus Bosch, and decided to build her life here.
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She began doing Simkin Gestalt therapy and led Gestalt groups for women in Monterey County. At this time, she relates, women were just beginning to put into words their own psychology, asking the radical question: what if I put my own identity in the center of my reality and started looking at my life? At UCSC she entered the field of feminist studies. For the past three decades she has worked as a psychotherapist, having earned a Masters degree in the psychology of women, via an extension program of Antioch College.
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"I don't want to be only a landscape painter," Karuna says, "I want to paint what's inside me." Judith Hale suggested she paint with a 4 inch brush, the same instructions she'd received at Hunter College so long ago. "I gave myself 2 years to learn this medium, 3 years to have a show and 5 years to make it! And I did."
"Monet's Garden" in watercolor
An early piece done in a Stanislav Grof workshop
"Big Sur Fire 2008" in acrylic
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